That's why Figure-8s are so common in the studio and not all that common in live (amplified) situations.Īnyway, if the performance's sole purpose is recording and there is no PA or no audience, you can have the singer's vocal completely separated from the piano if you correctly place a Fig8 mic in front of the vocal. You will most certainly get a very "piano free" vocal sound.īut, since nothing is perfect, the back of the microphone will also capture a very clear room sound, and, if there is some kind of amplification, that could mean trouble. Since Figure-8 mics tend to have excellent side-rejection you can place a Fig8 mic in front of the singer, sideways to the piano. This is where you can give good use to a Figure-8 microphone. I'll humbly accept all criticisms and suggestions. I've tried recording several tracks at once before with less than favorable results. There will be several instruments added to the vocal project later. I thought about recording a scratch vocal for the pianist to play with, or recording the scratch vocal along with the piano if enough separation can be had. Other session will involve the same piano and a vocalist. I'll dump the tracks into DP5 to finish it and maybe add some rhythm and Bass at the Studio. Do you think this will work well? Any thoughts on Mic placement? Any other ideas/suggestions? Other mics I have are pretty much all directional, small and large diaphram condensers and dynamics. Never tried mid/side on anything before so I need all the help I can get on this. I am toying with the idea of trying a mid/side stereo setup using an Audio Technica 4050 as a figure 8 and an AT 4054 for the middle. I'll use the Alesis HD24 fed by an Allen Heath Mixwiz. I plan to record it remotely at the church.
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If it's been tried in vain, the owner cannot wait for a fix, and still has the ability to return, then by all means return it. So if it makes you feel better that's Intel+ASUS to blame but it doesn't bring you closer to resolution.Īttempting workarounds *might* help mitigate the issue until an official fix is released so it's worth trying. Jones Serpentine The early Serpentine models did not have a take up lever and the tension discs were mounted on the arm of the machine instead of the faceplate. Most antique shops I have phoned are not interested. A Jones hand crank model called the ‘Cat-Back’ (now more commonly called the ‘Serpentine’) was made in large numbers and remained in production for almost 20 years. Or if you know anyone that could value at a reasonable cost. I know the majority are not worth much, especially those that were massively produced.Īny help would be appreciated (fix it, sell it, skip it?) (as I am emigrating in a couple of months and must go) With your MAC address, you become identifiable on a network. Some manufacturers of larger networking hardware may use more than one set of Organizationally Unique Identifiers (OUI). The following are the OUI for some manufacturers: This identifier or ID uniquely identifies the manufacturer of the networking hardware. MAC addresses are 48 bits in length and the first 24 bits contain a unique set of characters known as the Organizationally Unique Identifier (OUI) or vendor ID. And so, a laptop computer that has an Ethernet port and a Wi-Fi radio will have different MAC addresses for the wired and the wireless network interfaces. Please note that there is a different MAC address for each network interface. A typical MAC address may look something like 00:0a:98:9d:65:16. The MAC address is usually in the form of six sets of two-digit characters, separated by colons. The NIC is needed by your devices when connecting to a network whether it is wired (Ethernet) or wireless (Wi-Fi). |
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